On the Government Support to the bronze

Traditional bronze culture as a historical category of the bronze culture is advancing with the times. Traditional bronze culture is the traditional bronze culture of innovation and development, innovation and development is the fundamental of the flourishing of culture and heritage of the advanced traditional bronze. In the mid-term and late period primarily prevailed the patterns on the bronze like circular band, qieque, draping scale. It is important to carry forward and cultivate the spirit of the Chinese nation bronze culture carrier, reflects the essence of traditional Chinese bronze culture, on behalf of the endless heritage, is to build a harmonious society is an integral part of. However, for various reasons, in reality, the traditional bronze is often transformed into a simple holiday, its bronze cultural implication also in people's minds is increasingly indifferent. The people the tradition of bronze culture heritage of the ancestors wisdom, protection of heritage and innovation and development are also faced with many challenges.
 On the bronze culture of the protection of heritage and innovation development. Traditional bronze as bronze culture carrier to carry forward and cultivate the spirit of the Chinese nation, embodies the essence of traditional Chinese bronze culture, and represents the endless heritage, is to build a harmonious society is an integral part of. However, the indifference of the traditional bronze phenomenon can not be ignored, the Recession, but the main economic development, culture shock and active mode of operation of the foreign bronze constraints and lack of local characteristics. In the late Western Zhou Dynasty formed a unique bronze confined to the Western Zhou Dynasty.  Therefore, we should do Festival mechanisms, ideas, tradition and innovation, integration of resources and other aspects to think about, so that the local traditional bronze culture of the real protection of heritage and innovation development.
 The local traditional bronze culture is mature microcosm of a nation's civilization, not only embodies the relationship between man and nature, and reflects the links between people. However, with the rapid social changes, technology advances and frequent movement of personnel, the world is becoming a "global village". Human production and life, the tremendous changes in the forms of organization and even bronze cultural awareness, so that each of us strongly feel that the bronze culture China Chem commonly Move, the local cultural heritage of traditional bronze and innovation facing a huge challenge. Some of the bronze was only carved plain patterns. A rapid economic and social development impact. Rapid economic and social development, making the traditional production and lifestyle is increasingly consumer, cultural patterns and ways of bronze of the original agrarian society is waning, people's material consumption and survival concept has undergone tremendous changes.
 How to further improve the protection of heritage and innovation development of the local tradition of bronze culture in this article, to wake up the bronze cultural memory of the general public, the traditional bronze effective to continue, and long life, has increasingly become a problem we need to crack. Other than those, the unadorned bronze also turned up.  The tradition of bronze culture, is a country, a nation or a geographical majority of people to create, enjoy and life bronze cultural heritage - including lifestyle, habits, and its related lifestyle content. Whether it can stand the forefront in the new century, an international and domestic competition, prosperity, spiritual civilization to provide services, support and assurance must have innovation and development, rich content, from content to form. The main reason of recession, local traditional bronze dragon culture.

The Extremely High Quality of the bronze

We will be able to see the art criticism are minimal here, I can only as much as possible combined with the historical account of the previous research results, to test the background from the Shek Ju swarm, performance techniques, styling, creative ideas, etc. to analyze to explore the unique artistic style of the Huo tomb bronze group, to further explore the artistic content of the bronze group, and Savage hold Bear "bronze art style probe into the test piece" savages hold Bear from the bronze itself, modeling style, the sculptures creation Head to analyze research, in order to find the principle of its shape, the expression in order to go to discuss, analyze, grasp, and use. The inscriptions of the bronze, especially the lengthy ones, are the demonstrations of people’s real life.
 Savage hold Xiongyi Qing bronzes, has a profound ideological cultural and artistic quality. go Huo tomb can be accessed through the "wild man holding Bear'' feel a strong sense of dauntless spirit of the times and boldly before the national style. Without changes by the later generations, the bronze possesses the true face of the history.  Its in-depth analysis and research purposes is, in the final analysis, in order to inherit the advantages of China's traditional culture, rich in the form of our modern form of artistic expression and performance of the language, to find a breakthrough point for the modern art; to improve the aesthetic ability to enhance our aesthetic sense multi-faceted; understanding of Chinese civilization, to increase our sense of national pride. 'Historical Records).
 Sima Qian. p333. Changsha: yuelu, bookstore Press. the Huo tomb bronze group an overview of the Huo to go a little tomb of Bronze group is a the Taipa sculpture in the history of earlier large inverted carved to shape the image of humans and animals carved works of art group The stone carvings make full use of the llI stone's unadorned, natural form. Feelings, according to stone intended Tong, a little carving, image practices concise, j Zagreb array of thick, giving momentum Bo fire, Hunpu bold the rich Han Il inch of evil deep male, bold and powerful style of the times. The bronze keeps the true face in those days.  Jing] general tomb to destroy from the port listed in the stomach that Tianlu, evil spirits stone carved the Huo tomb of these fi. But J; profound ideological content and its production have Fu Han toward the height of its historical background and the era requirements.
Huo tomb form the background, the Western Han Dynasty  ... a unified, powerful indiscriminately home. At that time of JI: Department Ding Xinxing landlord class pioneering era. Coupled with the constant intrusion of the boundary of the Huns. The ruling class is deeply know how to go through fire and the value of the entrepreneurial hero. Liu Bang had shout "Come on Andhra fierce defensive network side!" ... The legendary young generals the lemon Qubing currency to meet the needs of the ruling class "warriors" in this case. Therewith, the bronze dragon has extremely high research value.  He has six to participate in and command of the fight against the Huns like contention. Fighting and outstanding service, particularly in the the Qilian victory is best known for. "History Address Hun Biography" cable Zha "cited" River old thing "to mention correct" lost my Qilian Mountains, so that I A livestock is not Qiang interest: lost my Yan branch mountain, so that I marry a woman without left sick G) color.

Do you Love Chinese Ancient bronze?

Play in the saw-like hue, which greatly enriched the copper color impeach carved, and provide resources for innovation., however, still exist in the field of concentrated hydrochloric acid silver two difficulties, the creation of first member of aspects of our arts education is the lack of technology skills training, the ability of creative people are very lacking, making the completion of many of the works in large part to rely on craftsmen to complete the formation of a "disconnect" situation the other hand, the quality of the practicing craftsmen are relatively low. a certain deviation of the works to understand and shape control. It is necessary and essential to study and learn the development history of Chinese bronze.  Diego two factors, the creation of the graphics may appear certain to take shape in the production process' This is a very accurate control of the situation., artisans hand inadvertently artists determined to hand the problems of both the education artists themselves.
Social divide on this business. no more social resources injected into this business. outstanding artists and operators to focus on, Ying Ling is facing the greatest difficulty in the modern mole copper bronze sculpture technology to expand both works of art and bronze sculpture of three modern wrought copper bronze sculpture of innovation and development of wrought copper, with Wei strong technology, by pure hand I fight with sulfuric acid works very dug affinity to this. affinity materials and workmanship for weed Jian pleasure audience silver copper bronze sculpture, architectural design, meters of the environment, arts, indoor j Shu design, display design and other fields roll binding, in the form of diverse space vector, wrought copper bronze sculpture thinking, there could be more breakthroughs and innovations, in turn. They must have a tacit understanding, because is a hit, a Top Articles fight and top to look forward to the role of the Gui surface changes at any time be exchanged to make the screen image form accurately, it is called "dig live, but also so that the screen diagram in high from the play, this is called "began to live", which is an alternating process. when arrested four live "when" and began to live entirely based on the feeling of the craftsmen on the image, the two where JI lease results. The unique and infinite tension of bronze let us deeply experience the super beauty.  This is a technical demanding process procedures, the Committee to the entire copper repeatedly forging attack, determine the relationship of the high condensate degrees and bronze sculpture at all levels of bronze sculpture. completion of the rough forging process. then to follow up the finer forging hit the speed and intensity of the two should e slow, positive and negative repeatedly changed for.
 Chemical coloring, electrolytic coloring, chemical chain and plating coloring, heat treatment of henbane color and Ao box, laced with gold and other surface treatment of the bronze sculptures based on the works of the content and style to choose six. fight to restrain copper bronze sculpture creation of integrated thinking the current situation with the paternity of a traditional wrought copper process technology for the traditional silver copper process technology major geographical region A North Yixian County, Zhejiang Province, Hangzhou, Chengdu, Sichuan, Guangxi Miao Tibet and other places in Yi County, Hebei wrought copper process the most famous steel weld width frown. Its purpose is to the actinide pull kept the beat of the process does not produce substantial curl and deformation. To reduce the follow-up work intensity and workload bronze sculpture copper hoisting from the lower end is fixed to the frame perpendicular to the ground by two across the bronze sculpture copper beat, known as the "rally. We love the Chinese ancient bronze.
 Bronze skills in Hangzhou, Zhejiang, Sichuan Province Baiyu Chang, Tibet Autonomous Region, the Southern technique Linxian. Lazi County, Yushu Tibetan flag Autonomous Prefecture declared Tibetan metal forging skills (Tibetan forging actinide skills. knives forging skills), have been incorporated into the second batch of national intangible cultural heritage. of great significance to the protection of traditional metal crafts, modern wrought copper bronze sculpture technology to expand and difficulties with the modern development of science and technology, silver copper bronze sculpture of technology and rapid development of innovation on the ratio of the raw material steel plate alloy welding materials and Zhu surgery to improve on the development of wrought copper provided a broad space for the most worthy of a mentioning is that the copper surface rendering technique, the surface coloring is very rich, there are about 26 species, it allows the copper surface showing a variety of prepared. As a Chinese, I take great pride in the splendid bronze culture of the Shang and Zhou Dynasties.
 Arrest "from the 'feeding the entire bronze sculpture subtle changes and the hierarchy of the up and down relationship, at the same time you want in a timely manner to calcination annealing of copper so as not to break the copper image of the frame and began to live, not rug from the 'too high, otherwise it will fracture. This process should be switched to repeatedly, each time since then traditional wrought copper process technology to Market, metal processing, handicrafts are faced with a shrinking trend. Upon the bronze dragon, we can sense the exuberant vitality belonging to this wise nation.  old artist's skill be available for young people in the social development of the wave of the commodity economy, the shad Fun disdain the old hand] appear: skills, technology lean state, the hand I feat Ding unprecedented fault crisis. Korea election very complicated reasons, the reality of manganese copper process with many traditional arts and crafts, are facing quite a severe problem of inheritance.can offer a great artistic enjoyment.
 It is also for these arts collar Market belt more art to teach fruit and visual aesthetic shock. art door fecal Without Borders, every kind of art should be placed in the "big art" framework down and thinking. to break artists high in L, and artisans is the old concept of the bottom of society, but also to break the gap between the contemporary arts rice and traditional crafts, art colleges, art education should also establish the concept of education of the art " Cape reef selection thinking and extension, modern wrought copper bronze sculpture be possible to achieve the innovation and development of traditional arts and crafts to blink. Weifeng Fu Construction Engineering, Building and Planning Department) Reference Ang process, keep hammering and silver made the process floating millet works more artistic appeal and tension. The bronze in some degree enriches our cultural life.
Fight meals and polishing process after shaping of wrought copper bronze sculpture, may leave the solder joints and burrs and other defects in the production process, therefore necessary to grinding and polishing of the bronze sculpture, relief grinding, the first rough after grinding, worn away the solder joint and the edge of the burr and the surface is not flat piece {angle grinder. hot and then polished with a variety of rasp and gauze, but also further make the body more clearly a process. polished, and then polishing machine for further removal of the bronze eagle high from the surface of all pox track, bronze eagle high from the surface smooth, fine. set of copper bronze sculpture surface coloring and protection process copper surface shading and protection treatment process is very complex and diverse, colored generally can be divided into color coating. The bronze dragon teaches us achieve enlightenment from the lessons of the history.

The bronze Stands in a Tower

Pilu Temple bronzes to take a combination of sculpture in the round, relief, line engraving, carving methods to deal with the structure and volume of the transition lines with bold outline. a few incised lines, like impressionistic painting simple pen. concise and neat, as Huo tomb of stone, "Prancing Horse" and "lying horse, horse limbs only simple joints in the horse line carve the structure, no volume, local looks flat, but on the whole to maintain the integrity of the volume, thus increasing the amount of sense and heavy feeling. Another example is stone savage hold Bear "," training like "wild boar", it is due to stone chisel-shaped, soft lines Tao Jin, Pilu Temple bronzes like the overall handling and Huo tomb stone out of a rut. So, this bronze is the prototype of zhong.  Refining the sculpture language language of sculpture and other forms of language as people used to express the need to create different times, different expression in the formation of different language styles.
 Han Dynasty economy and culture in a growing, creating a Chenxiong broad Hunpu natural art, and show a strong self-confidence and open sense. embodied in the shape of the sculpture is refined and succinct, simple and subtle visual effects, lively and friendly, clever and practical functions, has a unique charm. adjoin Lu Temple the stone Wengzhong physical integrity, clear structure and strong sense of volume deal with bold styling, neat, obviously people feel the creator of the uninhibited creative language features of the times very obvious contrast to the Tang Dynasty sculpture, language and completely different to the Han Dynasty. Zhōng is one of the bronze might stand in a tower and develops from the nao.  Such as the Qianling the tomb lions the body is great, portrayed with care and diligence, rounded lines, clear, mature knife, the proportion of moderate to strong realism.
A variety of sculpture language appear in the piece above, fully different from the Han Dynasty concise, broad language embodied in section II, Pilu Temple stone Wengzhong aesthetics of sculpture of the Han Dynasty Han Dynasty sculpture Freehand Confucianism dominated the ideology of the Han Dynasty, but in the arts, but more influenced by Taoism, Lao Zi and Zhuang Zi Fu has worked in the spirit of Chinese painting and Chinese painting "Man in a brief mention:" This bronze is not only a musical instrument in ancient times. Although Confucianism is politically very deep, but, contributed to the development of Chinese art, and nurture the spirit of Chinese art is Taoism. "in order to pursue the realm of great beauty, Lao against artificial carving, the" simple and world monensin compete with the United States "," indifferent while the public the United States from the very.
 Not only refining and polishing, reverted to the Park one. With particular emphasis on the inner spirit of things, such as the "true account of God moving on the outside" attention to the inner spirit of Lao Zi and Zhuang Zi, the pursuit of the aesthetic thought of the natural day interesting, unique to the Han Dynasty carving style and fun. It is also a symbol of status and power as a sacrificial bronze. The existing sculpture of the Han Dynasty, or the giant bronze dragon engraved, or high Ying Chi figurines, Freehand practices deep and bold are amazing. Pilu Temple the stone Wengzhong and the summed concise way the shape the image Hunpu natural, highly impressionistic, should be representative of the Han Dynasty carving works. Han Dynasty sculpture in the technique of expression is a surreal romantic performance practices.

The General Form of the bronze of Shang Dynasty

Marx Wei: "before the cattle that the most expensive collapse of the East two with the occupant has died from the sacrificial victims to the grave, in order to continue to use the r him in the nether world. "This is a true description of ancient Chinese funerary objects people use in the Han Dynasty set up the" East Park Department and the East Park Cheng "decile the fJ management agencies, responsible for the burial called, according to the identity of the deceased, job determine the kinds of Lou the number and shape of people. The bronzewas mainly prevalent in the Shang and Western Zhou. Since then, the tomb of the Chinese ancient bronze arts identified; dark green the mane Elimination of the crafty left foot Zhai four / surgery into the the boom years. Maoling and Shun Ling About one, Art in the Age weather, and this era of political, economic, ideological and cultural development are inextricably linked. Plastic arts through the simplicity and mystery of the original period.
Qin Jin Jian, Han developed to a peak. Inclusive of the plastic arts in the Han Dynasty, romantic and gallant, on behalf of the aesthetic height of this era, a reflection of the national spirit of the Han Dynasty up aesthetic paradigm "starting point for future generations. Since then the development of the arts, or masculine, or ethereal, at this point to find the momentum of development. Generally speaking, the bronzeof Shang were mainly oval or square. Tang Dynasty art is the "paradigm" freeze-frame for the evolution of masculine "Programs" art. Han Dynasty to the vitality of the tension of the art form and images of life exaggerated to the extreme, and reflected on the Imitation of Nature in-depth understanding and Zen release, Bronze and the creator of itself to achieve the things I blending two forget realm. This is something we in the Pei Zangmu  Huo tomb of Han Wudi Mao Mausoleum in the bronze group of the vital feel.
 The Maoling Huo tomb of Han Wudi Mao Mausoleum Xianyang plateau in this Xianyang City, Shaanxi Province, Northwest only 28. The Western Zhou Dynasty had more rounded wine bronze. From here, overlooking the visible Weishui, south of the Qinling Mountains, off the beauty of income as possible in the fundus. Maoling built mausoleum began in 139 BC, lasted 53 years duration. Previously, the Han emperor, already form the shape of the tomb. Han Dynasty officially express provision grave high and low level, "Liehou grave Sizhang Guannei Hou below the common people are poor" ("Rites? Spring officer? Family"). Emperor as the supreme world, the mausoleum naturally much higher than the Liehou. Changling high, thirty feet, the Han emperor Han Wudi's the Maoling sophomore feet. Maoling that this shape is built, the overall follow-bucket-shaped.
 Maoling existing mound 46.5 m high, the top is 39.25 meters long from east to west, 40.6 meters wide from north to south, East the bottom Bianbian long 343 meters, The west end of Collage, 238 meters long, 239 meters south of the north, 243 m; total area of 56,878 square meters ilJ. Maoling in history referred to, is the tomb of Emperor Wu of Han. But in fact Maoling tombs, including but due to illness of premature death in the the Maoling northwest of the beautiful tomb of Mrs. Li, Huo Guang tomb the Weiqing tomb, monument (mi di) tomb of the King Day, and Huo tomb buried tomb. Hé is a sort of wine bronze used for containing and neutralizing wine.  The Maoling bronzes often said (see Figure Bu 1) is actually placed in the bronze works, because of their aesthetic and archaeological value of the General Huo Metella around, above Huo tomb we now commonly referred to as Maoling Ill Han Yang Min Han Xiaojing, feng shui and the Western Han Dynasty Mausoleum of "Xi'an, Shaanxi Press, 2003 P3 bronze sculpture the bronze dragon.

Improve the External Environment of the bronze Trading

It should be noted that the RMB exchange rate depends on China's economic development depends on the yuan's exchange rate policy also depends on the expectations and judgments of Chinese export growth of the situation. Religious and political factors lead to the unprecedented emphasis on the bronze at that time. Appreciation for the Chinese themselves to determine the right to interfere in any country. Similarly, the depreciation is not desirable. There is no doubt that we should insist on not devaluing the renminbi. We can not forget the Asian financial crisis broke out in 1997. At that time, the Chinese government has taken a highly responsible manner, withstood the enormous pressure of the international community, not to depreciate the result not only of the Chinese economy is immune, but also contributed to the stability and development of the world economy.
Should be stressed is that, should maintain the basic stability of the renminbi on a reasonable and balanced level, to reduce exchange rate risks have a negative impact on China's export enterprises, to prevent the developed countries by exchange rate movements to shift the crisis. To strengthen cooperation with international organizations in terms of solving practical problems, or from the long-term development, we should proceed from a strategic point of view, starting from the overall situation of world economic development, strengthen cooperation and communication between the WTO and other international organizations give full play to the role of relevant international organizations. Consequently, the production techniques of the bronze have made a great improvement.
 Actively promote and establish a more equitable and reasonable international new order of bronze trade to promote world economic development and the process of the Doha talks, China's full market economy status at an early date, including the U.S. confirmation of the countries concerned. In particular the decorations on the bronze have been rapidly developed.  To enhance awareness of prevention and the face of complicated and changing international bronze trade environment, China and the United States the bronze trade friction intensified, especially China's foreign bronze trade enterprises should keep their eyes open, conscientiously sum up, learn from it and take appropriate countermeasures. Does not make a repeat of the tragedies of the past.
 Special emphasis is to actively adjust the structure of export products, expanding domestic demand, to take the initiative to carry out industrial upgrading, improve the added value of export products, and continuously improve product quality and competitiveness, to establish and improve the industry early warning mechanism to strengthen the foreign trade export of various monitoring and mastering of the link to continue to reduce the bronze trade barriers undue loss to the enterprise, so that our enterprises gradually matured in the highly competitive trading environment. International economic requirements of the proposed carbon labeling to the Chinese higher goals, China is now in the labor-intensive exports, a serious disadvantage to this. Just under such a context, the decoration of the bronze is the peak.
 China should strengthen international cooperation in industrial structure, innovation, combined with the above measures, I believe you can become a real bronze trading power in order to protect their national interests. It is unavailable to be reached among the decorations on ancient Chinesebronze. The emergence and development of international bronze trade in China. International Bronze trade is to a certain stage in the development of human society, productivity is only produced and developed, it is a historical category. International bronze dragon trade must have two basic conditions, first, to have existence of the state, the second is the needs of the international division of labor, the international division of labor is possible only in the social division of labor and private ownership on the basis of the formation.

Lively and Harmonious Decorations on the bronze

When after Liu Shunfu love to know his idea, strongly disagreed. Liu Shunfu a soft spot for bronze art, but doing things low-key, did not participate in large-scale exhibition, so visibility is not high. Over the years, family life, not only due to sale of bronzes and affluent, but will also be part of the household income into the bronze art research, resulting in their standard of living fell on the village downstream. "After many do ideological work, without success. These characters of the bronze have been fully demonstrated after the King Mu. Better to adhere to, for the creation of a lion, the better to inherit and carry forward our Xunxian bronze art, I insist that the pursuit of their ideals. And the 2006 National Day for divorced, 16-year-old son with her. "Liu Shunfu frankly Road. Six camps Bronze village go out to Investigation Report. We look forward to long-Field Study of Folk Art has finally arrived.
After about three hours' drive, we arrived Bronze village go out to research destinations - six camps. The car is still obsessed with deep local flavor. One soil parenting party people, the simple local farmers during the off-season time to rely on the craft passed down for generations to increase the economic benefits. The ferocious, horrible and mysterious images popular in Shang bronze.  Likely to make a living for Liu Yingcun of people, this is only simple in order to supplement income, but has a long history, carrying the Chinese civilization, which has a long history of Qinchuan is the symbol of civilization, which is China folk art treasures, but also farming and studying the performance of the culture.
The reference to Liu Yingcun bronze historical development, according to research to be traced back 600 years ago in the Ming Dynasty. The founding emperor Ming emperor had sent the Ministry of Li Wen-chung Yong water source Shaanxi Fengxiang County, Northwest Yong Yamashita, Qishan County, flows southeast through West confluence flow back of this dihydrate and subsequently flow back water submerged plug, so Yong water downstream. have both the flow back of water known as the ear. There are jiao dragon, fret, wave and other lively and harmonious decorations on the bronze. River "stationary" in the sixth battalion, part of the Compromise of soldiers with ceramic, took advantage of the local stickiness the very Banban soil and mud molding, pinch the clay figurine, mud animals do even painted as mud toys for sale.
 The six village for the bodiless painting Niou thus known, and from generation to generation. Works by exaggerated imagination and rich colors to express the workers' life meaning and simplicity of emotion, and each of its shape all showing a northern nation wild, uninhibited character. Even the shapes of the bronze also abandoned the majesty and heavy mood. Bronze artist the six Yingcun the most outstanding was undoubtedly Mr. Hu Shenlao, from five or six, starting with his father, Hu Keqin Arts has engaged in bronze has more than 60 years has participated in domestic and international exhibitions, his works for decades. Won the Shaanxi Province of traditional features art of the first prize, the Ministry of Culture, Chinese folk art is a must exhibition Silver ", and dozens of awards.
82 years, has been invited to go to the Central Academy of Fine Arts, Central Academy of Art lectures, which left the Central Academy of Fine Arts collection of works of bronze horse was designated as the "Horse" is the main design of the stamps. In the 1990s, its work on the elementary and high schools textbooks, Central Newsreel and Documentary Studio, CCTV and many other film and television units as well as many domestic and foreign print media have repeatedly reported to his artistic achievements. The modeling of the bronze dragon was soon replaced by spreading, bold, forceful, and elegant touch.