The bronze Stands in a Tower

Pilu Temple bronzes to take a combination of sculpture in the round, relief, line engraving, carving methods to deal with the structure and volume of the transition lines with bold outline. a few incised lines, like impressionistic painting simple pen. concise and neat, as Huo tomb of stone, "Prancing Horse" and "lying horse, horse limbs only simple joints in the horse line carve the structure, no volume, local looks flat, but on the whole to maintain the integrity of the volume, thus increasing the amount of sense and heavy feeling. Another example is stone savage hold Bear "," training like "wild boar", it is due to stone chisel-shaped, soft lines Tao Jin, Pilu Temple bronzes like the overall handling and Huo tomb stone out of a rut. So, this bronze is the prototype of zhong.  Refining the sculpture language language of sculpture and other forms of language as people used to express the need to create different times, different expression in the formation of different language styles.
 Han Dynasty economy and culture in a growing, creating a Chenxiong broad Hunpu natural art, and show a strong self-confidence and open sense. embodied in the shape of the sculpture is refined and succinct, simple and subtle visual effects, lively and friendly, clever and practical functions, has a unique charm. adjoin Lu Temple the stone Wengzhong physical integrity, clear structure and strong sense of volume deal with bold styling, neat, obviously people feel the creator of the uninhibited creative language features of the times very obvious contrast to the Tang Dynasty sculpture, language and completely different to the Han Dynasty. Zhōng is one of the bronze might stand in a tower and develops from the nao.  Such as the Qianling the tomb lions the body is great, portrayed with care and diligence, rounded lines, clear, mature knife, the proportion of moderate to strong realism.
A variety of sculpture language appear in the piece above, fully different from the Han Dynasty concise, broad language embodied in section II, Pilu Temple stone Wengzhong aesthetics of sculpture of the Han Dynasty Han Dynasty sculpture Freehand Confucianism dominated the ideology of the Han Dynasty, but in the arts, but more influenced by Taoism, Lao Zi and Zhuang Zi Fu has worked in the spirit of Chinese painting and Chinese painting "Man in a brief mention:" This bronze is not only a musical instrument in ancient times. Although Confucianism is politically very deep, but, contributed to the development of Chinese art, and nurture the spirit of Chinese art is Taoism. "in order to pursue the realm of great beauty, Lao against artificial carving, the" simple and world monensin compete with the United States "," indifferent while the public the United States from the very.
 Not only refining and polishing, reverted to the Park one. With particular emphasis on the inner spirit of things, such as the "true account of God moving on the outside" attention to the inner spirit of Lao Zi and Zhuang Zi, the pursuit of the aesthetic thought of the natural day interesting, unique to the Han Dynasty carving style and fun. It is also a symbol of status and power as a sacrificial bronze. The existing sculpture of the Han Dynasty, or the giant bronze dragon engraved, or high Ying Chi figurines, Freehand practices deep and bold are amazing. Pilu Temple the stone Wengzhong and the summed concise way the shape the image Hunpu natural, highly impressionistic, should be representative of the Han Dynasty carving works. Han Dynasty sculpture in the technique of expression is a surreal romantic performance practices.